1. Great post by Simon Crompton the other day.  I particularly agree with the focus on knitted waistcoats (optimal when worn underneath a jacket).  However I think there is one other type of cardigan to be considered, although used very differently: the cardigan as outerwear.

    It will be thicker with a very different surface texture than the smoothness of most knitted waistcoats.  But more importantly, at least to my eyes, it will have a different design than the standard cardigan.  

    Possibly a high collar like the SNS Herning Stark

    or a shawl collar like this beauty from Drake’s

    or, my personal favorite, this long shawl robe/cardigan with cabling from Inverallan/Strasthay

    All these would be ideally worn as outerwear or for lounging around the house.  Same family different species (or genus?).

    Pictures from Frans Boone, Drake’s London, and StyleForum.

  2. putthison:

    The Meaning of Selvedge Then and Now

    Following Jesse’s great post last week on selvedge denim, I thought I’d share some scans from an old 1997 issue of Continental Restyling — an important lifestyle magazine for the Hepcat scene from 1993 until 2000. This was a publication for people passionate about 1950s American culture, rockabilly music, and a certain style of vintage clothes (e.g. circle skirts, rock’n’roll shirts, Hawaiian shirts, and blue jeans). In this issue (now almost 20 years old, if you can believe), we see what the selvedge stripe used to mean to a certain group of vintage clothing enthusiasts. 

    What Selvedge Used to Mean to Some People

    In his article titled “Blue Jeans: The Hepcat’s Guide to Vintage Denim,” Thommy Burns writes:

    I can’t count the number of times I’ve seen young Hepcats (guys and girls) who have taken the time to seek out the right shirts, jackets, shoes, etc. only to have their blue jeans be the missing link. Let me tell you, vintage jeans are very different to those available today and are an important key to achieving an authentic look. Jeans in the ‘50s were made with different dyes (believe it or not) and different fabric to those today – they look different when new and the differences become more apparent when they’re worn in.


    Levi’s are my personal favourites. They have always been the world’s most popular jeans and therefore more Cats wore them in the ‘50s, it just stands to reason. Vintage Levi’s have a beautiful ultra-dark indigo colour that gets a distinct and attractive “streaky” grain as it fades.

    And how do you spot vintage Levi’s? Well, there are a few things you can look for, but important among them is the selvedge stripe:

    Another important facet of vintage Levi’s is the selvedge edge the fabric, visible on a turn up. This is a finished white edge inside the pants, on the outer seam. […] All Levi’s made up to the 1960s had selvedge, this makes it an integral part of an authentic ‘50s look.

    What Selvedge Means Today

    Jesse’s right when he says that turning up your cuffs to show the little selvedge stripe means “I care.” This was true for vintage clothing enthusiasts in Japan in the ’80s and it’s true for denim enthusiasts today. 

    It used to mean other things as well, however. It used to mean not only that the denim was woven on narrower shuttle looms, but also something specific about what kind of dyes were used, how the yarns were dyed, and how the resulting jeans were finished. In other words, people cared about that little selvedge stripe because it meant something about how the jeans would fade (sound familiar?). It was an indication of a greater set of production choices, originally made in the mid-century by companies such as Levi’s and Lee. 

    Today, companies can produce selvedge denim in ways that was never done in the early- to mid-century. Generally speaking, the presence of that little stripe still means that the jeans are meant to fade a certain way, but exactly how those jeans fade is a lot more variable. The connection between selvedge and the broader picture of production methods has evolved a lot over time. 

    Reducing Clothes to Details

    There are dozens of companies now offering selvedge denim. Some even offer “fake selvedge jeans,” where a strip of selvedge is sewn onto the bottom of the cuffs, so they can be flipped up and made to look fashionable.

    So what’s the difference between one pair of jeans and another? As Jesse noted, everything. Selvedge denim jeans are defined not just by that little stripe, but also what kind of cotton was used, how that cotton was spun into yarn, how those yarns were dyed, how those dyed yarns were woven into denim, how that denim was made into jeans, and how those resulting jeans were treated in the “finishing” process. All those aspects will determine how a pair of jeans will fade and age over time, and it’s for this quality why some people will choose one pair over another. 

    Which for me, says something about how we view clothes. Presumably, we got to this place because people reduced jeans to just that little stripe — whether because they equated selvedge with quality, or because they heard selvedge stripes were fashionable right now. This gave companies more of an incentive to produce. As Jesse mentioned, you can buy selvedge denim nowadays for $40 from Converse, $89 from The Gap, or $350 from The Flat Head. In some ways, I think this is great, as not everyone can (or wants to) spend a lot of money on jeans, and it’s good to have options. 

    On the other hand, it’s useful to remember there’s no “one thing” that will ever tell you the whole story about a garment. That “thing” can include country-of-origin labels, care tags that say 100% cashmere, stitches that look to be hand sewn, buttonholes that are working on sleeves, and little colored stripes on jeans. Clothing production is much more complicated than what those things reveal. When deciding what to purchase, think about the bigger picture of how something was made and don’t rely on just one detail.


  4. putthison:

    What Is Selvedge Denim? Why Does A Selvedge Matter?

    I grew up in a fabric-obsessed house. My mom dedicated a whole bedroom to an enormous pedal loom, and when we were broke, she’d trade scarves and shawls for haircuts. She doesn’t have a loom anymore, but she still buys and sells vintage fabric on the side. The sound of a clattering shuttle and the hand of a beautiful fabric are baked into my DNA.

    The selvedge (or selvage) in “selvedge denim” is a question of weaving, but it’s also a question of symbolism. I’ll explain.

    The Woven Difference

    Let’s start with the technical. Fabric is woven by a loom. Shuttle looms, which were the standard until the mid-20th century, weave a relatively narrow length of fabric, with finished edges. The edges are called the selvedge. You can see them above - they’re the things with the colorful stripes.

    Without a selvedge, a seam like the ones above would have to be finished with thread. Turn a t-shirt inside-out and you’ll see edges finished this way. The role of the finishing here is to prevent the weave from unraveling at the fabric’s edge.

    The Loom Diaspora

    Shuttle looms fell out of broad use in the years after World War II, when more efficient technologies were developed. These new projectile looms didn’t require a bulky shuttle and could produce much wider lengths of fabric. As demand for jeans (and in turn, denim) ramped up, it was met by these new, hyper-efficient machines. But: wide fabric lengths and superfast industrial machines mean that instead of using the woven edges that the old looms wove, fabric was cut and the edges bound with thread. That’s still how the fabric edges of most mass-market jeans are finished today.

    As these new machines were introduced, the old machines were decommissioned, and the story goes that over the years, many found their way to Japan, where some had landed in the post World War reconstruction. (Whether that story’s true is a matter of debate.) In the 1980s, an artisinal denim movement, fueled by a passion for Americana, emerged in the far East, and in the 2000s, it found its way to the US. At the same time, America’s textile production was dwindling to nearly nothing.

    Selvedge As Cultural Signifier

    The selvedge became a cultural signifier. Japanese enthusiasts could turn their cuff slightly to show that they either had vintage jeans - made when the old looms were still in service - or they had new jeans made from fabric woven on old looms. In large part, that’s still what the selvedge means today. Sure, the selvedge edge is a little less likely to fray than the bound edge, but when was the last time the edge of the fabric in your jeans frayed?

    When you pay for selvedge, you’re buying a symbolic message that you care, and a message from the manufacturer that they do, too. Here’s a parallel: traditionally, the bottom-most buttonhole of a shirt has been horizontally oriented. It maybe has some practical purpose, but mostly the presence of that horizontal buttonhole means: “I care,” for both wearer and manufacturer.

    So Why Does It Matter?

    These days, you can buy selvedge denim for $40 from Converse, $89 from The Gap or $350 from The Flat Head. The fabrics and details on these jeans are likely very different. The design choices and cut are different. The marketing is different. Almost everything, in other words, can be different.

    The thing they share is that little colored stripe.


  5. voxsart:


    Rule 1. When combining different patterns, strike first at your enemy’s throat.

    Rule 2. The classic American long wing blucher is balanced exactly like a boomerang and can be used in the same manner if the Starbucks line is slow.

    Rule 3. When a workplace competitor asks your advice on…


  6. thearmoury:


    Porter is an old Japanese bag-making company, offering a staggering variety of bags (1,500 last time I counted). The quality of the manufacture and materials are excellent and their style blends functionality with Japanese quirkiness. I have long been a Porter customer and was overjoyed when…


  7. "Think of a world where court-storming is prohibited and your student body hasn’t stormed the court in years. Now, imagine your team is beating the no. 1 team in the country with 10 seconds left. Think of how awesome it would be to lock eyes with everyone around you, say “Let’s do it!” in unison, and blitz past security with two middle fingers in the air. With the way the rules are currently set up, if you do that today, you have a memory. But if you do it after court-storming has been banned by the NCAA for years? Well, then you’d have a story."
    — Mark Titus

  8. "There are two ways of being happy: We must either diminish our wants or augment our means - either may do - the result is the same and it is for each man to decide for himself and to do that which happens to be easier."
    — Benjamin Franklin
  9. voxsart:

    Buttoning Point As Fulcrum.

    Clark Gable.


  10. Pea Coat Project cont.


    A slight modification/update to the specs of my planned pea coat commission http://jscott620.tumblr.com/post/64115344994/pea-coat-project

    • Lined in heavyweight rayon

    I currently have a couple other casual winter coats lined either in cotton flannel or wool, and while I enjoy wearing them immensely, they’re a bit more difficult to slip on and off when layering over a thick sweater.

    • The total numbers of buttons will be the same as before but the arrangement will be changed to slant in as you traverse the coat downward

    The vertically stacked buttons on a pea coat are an accurate historical detail.  However, as seen in the accompanying pictures (only by me?), a modest diagonal offset has a thinning effect.  This jives with my firm conviction that a pea coat should be worn fitted.


    Photos from GQ Japan and Carson Street Clothiers